It had been a pretty crowded day, even for so busy a sinner as little Joan. It was springtime, and they had gone into the country for her mother’s health. Maybe it was the season: a stirring of the human sap, conducing to that feeling of being “too big for one’s boots,” as the saying is. A dangerous period of the year. Indeed, on the principle that prevention is better than cure, Mrs. Munday had made it a custom during April and May to administer to Joan a cooling mixture; but on this occasion had unfortunately come away without it. Joan, dressed for use rather than show, and without either shoes or stockings, had stolen stealthily downstairs: something seemed to be calling to her. Silently—“like a thief in the night,” to adopt Mrs. Munday’s metaphor—had slipped the heavy bolts; had joined the thousand creatures of the wood—had danced and leapt and shouted; had behaved, in short, more as if she had been a Pagan nymph than a happy English child. She had regained the house unnoticed, as she thought, the Devil, no doubt, assisting her; and had hidden her wet clothes in the bottom of a mighty chest. Deceitfulness in her heart, she had greeted Mrs. Munday in sleepy tones from beneath the sheets; and before breakfast, assailed by suspicious questions, had told a deliberate lie. Later in the morning, during an argument with an active young pig who was willing enough to play at Red Riding Hood so far as eating things out of a basket was concerned, but who would not wear a night-cap, she had used a wicked word. In the afternoon she “might have killed” the farmer’s only son and heir. They had had a row. In one of those sad lapses from the higher Christian standards into which Satan was always egging her, she had pushed him; and he had tumbled head over heels into the horse-pond. The reason, that instead of lying there and drowning he had got up and walked back to the house howling fit to wake the Seven Sleepers, was that God, watching over little children, had arranged for the incident taking place on that side of the pond where it was shallow. Had the scrimmage occurred on the opposite bank, beneath which the water was much deeper, Joan in all probability would have had murder on her soul. It seemed to Joan that if God, all-powerful and all-foreseeing, had been so careful in selecting the site, He might with equal ease have prevented the row from ever taking place. Why couldn’t the little beast have been guided back from school through the orchard, much the shorter way, instead of being brought round by the yard, so as to come upon her at a moment when she was feeling a bit short-tempered, to put it mildly? And why had God allowed him to call her “Carrots”? That Joan should have “put it” this way, instead of going down on her knees and thanking the Lord for having saved her from a crime, was proof of her inborn evil disposition. In the evening was reached the culminating point. Just before going to bed she had murdered old George the cowman. For all practical purposes she might just as well have been successful in drowning William Augustus earlier in the day. It seemed to be one of those things that had to be. Mr. Hornflower still lived, it was true, but that was not Joan’s fault. Joan, standing in white night-gown beside her bed, everything around her breathing of innocence and virtue: the spotless bedclothes, the chintz curtains, the white hyacinths upon the window-ledge, Joan’s Bible, a present from Aunt Susan; her prayer-book, handsomely bound in calf, a present from Grandpapa, upon their little table; Mrs. Munday in evening black and cameo brooch (pale red with tomb and weeping willow in white relief) sacred to the memory of the departed Mr. Munday—Joan standing there erect, with pale, passionate face, defying all these aids to righteousness, had deliberately wished Mr. Hornflower dead. Old George Hornflower it was who, unseen by her, had passed her that morning in the wood. Grumpy old George it was who had overheard the wicked word with which she had cursed the pig; who had met William Augustus on his emergence from the pond. To Mr. George Hornflower, the humble instrument in the hands of Providence, helping her towards possible salvation, she ought to have been grateful. And instead of that she had flung into the agonized face of Mrs. Munday these awful words: It was one noonday. He had been down to the tribunal and his case had been again adjourned. She was returning from a lecture, and, crossing a street in the neighbourhood of the docks, found herself suddenly faced by an oncoming crowd. It was yelping and snarling, curiously suggestive of a pack of hungry wolves. A couple of young soldiers were standing back against a wall.!

“You’ve got to face this unalterable law,” he continued. “That power derived from worldly sources can only be employed for worldly purposes. The power conferred by popularity, by wealth, by that ability to make use of other men that we term organization—sooner or later the man who wields that power becomes the Devil’s servant. So long as Kingship was merely a force struggling against anarchy, it was a holy weapon. As it grew in power so it degenerated into an instrument of tyranny. The Church, so long as it remained a scattered body of meek, lowly men, did the Lord’s work. Enthroned at Rome, it thundered its edicts against human thought. The Press is in danger of following precisely the same history. When it wrote in fear of the pillory and of the jail, it fought for Liberty. Now it has become the Fourth Estate, it fawns—as Jack Swinton said of it—at the feet of Mammon. My Proprietor, good fellow, allows me to cultivate my plot amid the wilderness for other purposes than those of quick returns. If he were to become a competitor with the Carletons and the Bloomfields, he would have to look upon it as a business proposition. The Devil would take him up on to the high mountain, and point out to him the kingdom of huge circulations and vast profits, whispering to him: ‘All this will I give thee, if thou wilt fall down and worship me.’ I don’t want the dear good fellow to be tempted.” Could we ever hope to eradicate it? Was not the survival of this fighting instinct proof that war was still needful to us? In the sculpture-room of an exhibition she came upon a painted statue of Bellona. Its grotesqueness shocked her at first sight, the red streaming hair, the wild eyes filled with fury, the wide open mouth—one could almost hear it screaming—the white uplifted arms with outstretched hands! Appalling! Terrible! And yet, as she gazed at it, gradually the thing grew curiously real to her. She seemed to hear the gathering of the chariots, the neighing of the horses, the hurrying of many feet, the sound of an armouring multitude, the shouting, and the braying of the trumpets.

“Perhaps you are right,” she admitted. “Perhaps that is why He made us male and female: to teach us to love.” “Who is the true soldier? He who has put away self. His own ease and comfort, even his own needs, his own safety: they are but as a feather in the balance when weighed against his love for his comrades, for his country. The true soldier is not afraid to love. He gives his life for his friend. Do you jeer at him? Do you say he is a fool for his pains? No, it is his honour, his glory.” “I wish you would always be yourself, as you are now,” she said, “and never pose.”